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- Shadow People: Attacks On Humans Increasing
- If we can be 'transgender', why can't we be 'transracial'?
- Freemen of the Land: A Barrister Writes
- The Frankfurt School and "political correctness": Conspiracy to Corrupt
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- Keith Preston on The New Totalitarianism
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- Council Tax and the Law
- Redeeming the Industrial Revolution
- Hans-Hermann Hoppe in 10 Great Quotes
- This Blog Has Now Moved
- Libertarian Alliance Blog Moving – Fourth Notice
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- Blogging: everyone’s a critic (not)
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- Genetic Codes: Private Property Versus Public Goods
Daily Archives: 24 January, 2013Image
Beethoven Haus Bonn Public Domain
Three G’s and an E-flat, or Why Beethoven Rules!
By Richard Girard
Three G’s and an E-flat. Bom-bom-bom-Bomb! The Morse Code three dots and a dash for “V,” and “V” is for victory. Fate knocking on the door.
All of these descriptions have been used to describe the first four notes of Ludwig van Beethoven’s Fifth Symphony. And all of them are completely inadequate to describe the power and majesty of this orchestral masterpiece; or any of Beethoven’s other voluminous folio of work. Continue reading