The Master scowls, but never takes off his wig

3 responses to “The Master scowls, but never takes off his wig

  1. According to Charles Rosen:

    “It is only through recognising the violence and sensuality at the centre of Mozart’s work that we can make a start towards a comprehension of his structures and an insight into his magnificence. In a paradoxical way, Schumann’s superficial characterisation of the G minor Symphony can help us to see Mozart’s daemon more steadily. In all of Mozart’s supreme expressions of suffering and terror, there is something shockingly voluptuous.”

    Sounds reasonable to me.

  2. Opp’s seems the mozart concerto, has been blocked under copyright